Our ancient mythology tells us that on February 1st each year the Celtic goddess Brigid takes over from the harsh old woman of winter, the Cailleach. The light returns and the plants begin their growing season. I’m particularly fond of this image from Pompeii of Flora, another goddess of fertility and growth in the natural world.

After a slow beginning and a lot of wet and cold, you catch sight of the first aconites and snowdrops and from then on the plants and trees on Burgess Field join the race to bloom and thrive. The bird song mirrors this energy, beginning with the thrushes (alongside the robins which have been singing throughout), and soon the finches and warblers, perhaps a cuckoo and of course we dream of nightingales. Over the years I’ve been trying to capture the sound of birds in a sketchbook. These sketches are impressions of the song and this exercise compels the mind to focus on just that sound. It stays in your memory and does its magic.

I rarely sit and draw a landscape but often stop on a walk, make a few marks and a few notes. I work in a windowless studio so I must fill up my imagination, rather like a bee collecting pollen and take the store of information inside with me in order to paint. Photographs have limited use in my practice and I never refer to them when I paint.

The second image is of a recent painting which derives from walks and observations on Burgess Field. The hawthorn trees are a treat, winter and summer. This is an image of two of them entangled on a winter’s night under the stars, waiting for Spring.

Blog update January 2026

At the end of September 2025 I completed the first stage of a textile piece which records some of the flowers blooming on Burgess Field from March (Blackthorn) to June (Field Poppy). I’m now adding marks which represent the birdsong heard on Burgess in that period of the year.

I draw in cottons and embroidery silks on undyed calico and the length will be padded and backed in calico and suspended from a baton to become a wall hanging. It will be shown in October 2027 in the North Wall Gallery, Summertown, Oxford. A truly slow-burn project.

Whenever I visit the reserve I hear and see jays. They often bury acorns and a spread of oak trees might result if conditions allow.

I’ve therefore scattered a few oak leaf shapes across the piece and added some small creatures … snails, a ladybird and my favourite butterfly, The Spotted Wood.

I’m finding it funny that many of the sewn flowers can be identified on the plant app on my phone.

Blog updated October 4th, 2025

I’m taking on the very relaxed and informal role of artist in residence at Burgess Field Nature Reserve, Oxford. Please follow this link to learn about the history of the reserve and the ongoing work by the Friends of Burgess Field. It’s a story of joyful hope in an otherwise sad era for our natural world and I’m extremely pleased to be able to work here.

https://www.friendsofburgessfield.co.uk

I have very little idea - or perhaps far too many ideas of what I might do but the first part of the residency is going to entail the naming of areas on the site. There are a few names already on the Friends’ website map such as Snipe Field. I would like to gather others, even if there are several for the same area. If you have given your own name to a spot that you know and love on the reserve, please email it to me and, with your permission, I will use it in my work. imo.rigden@icloud.com

This residency will culminate in a solo show at The North Wall gallery, Oxford in the autumn of 2027. We have plenty of time….

Say hello if you see me on site!

Blog begun March 2025